Featuring interviews by famous fans and followers, this rare documentary encapsulates the essence of the controversial, enigmatic, and deliciously melancholic bard.

Bachelor Jack Worthing and his best mate Algernon Moncrieff hope to marry society’s most eligible ladies, Gwendolen Fairfax and Cecily Cardew. But the lads’ courtship of the women is far from straight forward! With double identities, plenty of ‘Bunburying’ and a number of hostile encounters with the formidable Lady Bracknell, the pair become embroiled in a web of mistaken identities with hilarious consequences.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

Alex's high opinion of himself isn't backed up by reality as he is unemployed and having trouble with his girlfriend. When he finally gets a job with the local council/municipality of Hudiksvall his life is about to change. Suddenly Alex finds himself the leader of a local theatre group of people with learning difficulties. Through their work together, Alex comes to appreciate that we all have our own talents which can grow if given the opportunity and support. "The Importance of Tying Your Own Shoes" is based on the work of the Glada Hudik Theatre whose performances have met with success in Sweden and internationally since it was formed in 1996.

Alex's high opinion of himself isn't backed up by reality as he is unemployed and having trouble with his girlfriend. When he finally gets a job with the local council/municipality of Hudiksvall his life is about to change. Suddenly Alex finds himself the leader of a local theatre group of people with learning difficulties. Through their work together, Alex comes to appreciate that we all have our own talents which can grow if given the opportunity and support. "The Importance of Tying Your Own Shoes" is based on the work of the Glada Hudik Theatre whose performances have met with success in Sweden and internationally since it was formed in 1996.

Seymour Krelborn is a nerdy orphan working at Mushnik's; a flower shop in urban Skid Row. He harbors a crush on fellow co-worker, Audrey Fulquard, and is berated by Mr. Mushnik daily. One day, Seymour finds a very mysterious unidentified plant which he calls Audrey II. The plant seems to have a craving for blood and soon begins to sing for it’s supper.

An urban comedy of identity lost and found via sexual indiscretions, Frances is initially a bored 9-to-5-er. She comes to the much-prolonged decision to leave her mentally unstable husband and begins to live out of her office, unbeknownst to her co-workers. Each night she goes to a different nightclub or a bar in Boston and forces herself out of her protected prim existence by meeting and picking up different men. Through exploring different persona's and what she is capable of, she hopes to find herself.

Emma is an unemployed housewife, whose children have grown up and moved out. When she finds out that her husband is looking for his sexual awaking, doing this by having an affair with another woman, Emma takes over a neon-lit sex-shop that she turns into an erotic boutique for women. This journey leads her into an adventure with a group of other women who are all looking for their own sexual awaking.

At an elementary school in Rome, a young substitute teacher begins to read chapters from the book The Wonderful Wizard of Oz to her new and very young pupils. Soon afterwards, bizarre things start to occur, as reality and dreams merge and the children themselves become characters in a new version of L. Frank Baum's original OZ fairy tale…